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ÀÛ¼ºÀÚ   betnabet03 ÀÛ¼ºÀÏ   2018-12-04 07:01:11
Á¦¸ñ   In the 1100th year of its founding, consideration of a brilliant and vibrant open country
The silver plating pot and saucer, the British Museum and the American Metropolitan Museum of Art, and the Amitage, the Italian Museum of Oriental Art.About 450 cultural assets of Goryeo that were scattered around the world gathered together. The exhibition is for the "A Glory Challenge" (the "Taejangkeojeon"), which opens at the National Museum of Korea on September 4. It is a large-scale exhibition of Goryeo art. According to Bae Ki-dong, the exhibition is an exhibition of a century that will not be seen in the next 100 years in terms of the size and quality of the exhibition. This means that it is a special opportunity to meet precious cultural assets in one place. As many as 45 domestic and foreign organizations have cooperated for the exhibition. The museum, the Boston Museum, the British Museum, and the Tokyo National Museum have collected the collection from 11 institutions in four countries, and 34 organizations and private organizations including Haeinsa, Samsung Museum of Art, and the Kansong Art Foundation. Goryeo was founded in 918 and continued for about 500 years until 1392. This year marks the 1,100th anniversary of the foundation. 10 years, the Japanese occupation in 1918, which means of an exhibition that opens this year, considering the extra point was that the description of the National Museum. Chung Myung-hee, a curator at the National Museum of Korea, said, "The consideration can be seen as the time when the identity of our Koreans was formed." However, there was less research on the importance of it. "We planned the exhibition in order to properly examine and revive the cultural nourishment that was formed at the time." The exhibition emphasizes that Goryeo has an open and dynamic political and culture. Inside, various human and cultural resources of the three ancient kingdoms were absorbed, while outside the mainland of China (960-1279) and the two nations (116-1125) that formed power from the northern part of the Goryeo Dynasty. It was enough to attract foreigners to the business, and material and human exchanges were active. The exhibition emphasizes that the Goryeo art was a flower of such diverse cultures and ideas. Chae Hae-jung, curator of the National Museum of Korea, said, "There has been a large-scale exhibition related to the Goryeo Dynasty in 1995, the Hoam Gallery in 2003, and the "Koryo Dynasty" exhibition in San Francisco. "This is the first exhibition to see the entire culture of Goryeo such as Buddhism and metal craft," he said. The exhibit featured 19 national treasures and 34 national cultural properties alone. The exhibition consists of four main themes: "Gogyeong of the Koryo Capital," "Koryo Temple," "Daejeom of Koguryo," and "Excellent Technology and Design of Koryo." The exhibition begins by showing that the capital of Goryeo was an international city and many foreigners visited it. Seo-eup (1091-1553) who led some 200 delegations sent by Song Whizong in May of 1123, is one of them. Seo-goon, the envoy, wrote the month spent in Goryeo in a book called Seonhwabong Sagorado. In this exhibition, you can also see the book printed on paper. The statue of the Korean Ambassador to Korea, located in the exhibition room, is one of the must-see works of the exhibition. It is a portrait that expresses the face and physique of the ambassador in a very realistic way. It is one of the greatest sculptures of the mid10th century and the only portrait of a high priest in Korea. The Goryeo royal art works are also dazzling. The Goryeo royal family was the largest art supporter of the Goryeo Dynasty, showing that paintings, metal crafts, and porcelain were made under royal supervision. The center of Buddhism and Medieval Culture-The core of this exhibition is the Buddhist culture of Goryeo. During the Goryeo Dynasty, various ideas such as Buddhism, Confucianism, and Taoism coexisted peacefully. Among them, Buddhism has left various Buddhist temples and conflicts on the basis of the large support of the state religion. One of them is the Amita Girls' High School, which came from the Italian Museum of Oriental Art (Juseppe Tucci). The Amita Islands account for the largest portion of the existing Goryeo Buddhist paintings, but only six of them are known, including the Japanese Shobo Temple's master Amita Girls' High School. Choi Tae-won, chairman of the Korea Higher Education Foundation, sponsored 50 million won to bring the work to Korea, Bae Ki-dong said. Koryo Daejanggyeong, which is not available even when visiting Haein Temple, also appeared in the exhibition. It is the oldest granite woodblock in Korea. It is also worth paying attention to the exhibition that describes the tea houses of Goryeo. Tea is a culture that existed deep in the life of the Goryeo people in various ceremonies and events of the kingdom, royal palaces and temples, and represents a high level of culture. Jeong Myung-hee, a researcher at the Academy of Arts, said, "The results and artistic qualities of the Goryeo Dynasty are another gene that flows into us." ¹ÙÄ«¶ó The museum will hold an academic conference with the Korean Art History Association on April 15 to commemorate the exhibition and hold four academic lectures invited by experts. Tickets are 8,000 won for adults, 4,000 won for children and teenagers, and 4,000 won for exhibitions by March 3 next year. The National Museum of Korea's Special Exhibition Hall Ambassador Hee-rang is guarding his place waiting for his disciple Wang Geon. There is no Wang Geon-sang, but only the lotus pedestal is placed on the left. He helped the unification of the three kingdoms by supporting Wang Geon at Haein Temple, the founder of the Goryeo Dynasty. At that time, Haeinsa's economic and military power was so influential that it changed the course of the war. He became a teacher of Wang Geon after his birth, and was protected by the Goryeo royal family, which led to a great rise in hwaepyeongjong. The museum initially asked the North to lend the statue to the North, which holds the statue, in the hope that the statue would be placed on the site. Wang Geon-sang, a bronze statue found outside the royal tomb of King Taejo of Goryeo in October 1992, was displayed as an empty seat as North Korea did not decide whether to submit an item. "We left the site empty for now, but we decorated it in the form of an installation," said Bae Ki-dong, the head of the National Museum of Korea.
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